Quarantine Piano Solo Arrangement with Chords, Metronome & BPM

Attributed to Justin Hurwitz, Quarantine forms an integral entry in the modern pop keyboard selections. Laid out across 2 pages containing 39 measures, this score draws authenticity from verified performance editions and modern engravings. Work tracking associates this edition with ISWC identifier `T-A8D.C90.F9-1` and registry `mbid-a8dc90f9-pianistforum`.

Tonal grounding is defined by D Minor, marked in the score by one flat (B♭, with C♯ harmonic leading tone). The music alternates stability on D with expressive harmonic excursions toward F Major and its parallel relation, D Major. Harmonically, the progression Dm → G → C → F → E7 weaves cohesive chordal shifts (F, E7) supporting melodic variety before resolving. In terms of hand topography, D Minor yields an austere Sturm und Drang realm favored for serious contrapuntal dialogues and expressive laments.

Metric propulsion relies on 3/4 (simple triple meter), giving the piece a flowing triple lilt characteristic of classical minuets and romantic waltzes. Set to a metronome speed of ♩ = 113 BPM (*Allegretto*), the overall character feels moderately brisk, bright, and buoyant. Pianists should ensure that they shape the measure as a unified arc rather than counting three equal ticks.

Positioned within the Easy repertoire (elementary benchmark (ABRSM/RCM Grade 2–3)), this work offers valuable training in balance and tone. Performers must concentrate on executing clean thumb crossings beneath fingers two and three during scalar shifts. Navigating broken arpeggio figures and modern pulse chords asks for deliberate finger weight distribution. To preserve clarity, execute full pedal clears at dynamic changes to highlight intimate moments. Recommended Exercise: shadow-play the accompanimental chords silently while sounding the melodic line out loud.

When programming this selection, music educators frequently schedule Quarantine for informal recitals, private studio practice, and collaborative accompaniment. Beyond the primary engraving in D Minor, collaborative accompanists can adapt the key: lower voices (alto/bass) benefit from transposing into C Minor, while high voices gain projection in E Minor. Ensembles may utilize A Minor for brass fingerings. From an attribution perspective: Organized for studio learning under `unknown`, supporting keyboard technique drills and performance prep.